I did not expect to hear Nirvana’s “Come As You Are” in a movie about a lonely gay man in post World War II Mexico, but that’s actually pretty tame for a Luca Guadagnino movie based on a William S. Burroughs novel. There’s a little too little story to sustain a movie this long, and the tonal shift in the third act is jarring, but it mostly works.
Also features significant discussion of telepathy.